Styx Keyboardist Dennis DeYoung: 'I Don't Have to Forgive Them' (2026)

Dennis DeYoung, the legendary keyboard player and singer of Styx, reflects on his remarkable career and the complexities of his post-Styx journey in an exclusive interview. DeYoung, a key figure in the band's early success, penned iconic tracks like 'Come Sail Away' and 'The Grand Illusion', as well as the chart-topping ballad 'Babe'. However, his story takes an intriguing turn when he discusses his departure from the band and the subsequent replacement by a new member.

A Musical Odyssey

DeYoung's passion for progressive music is evident, with influences ranging from Emerson, Lake & Palmer and Yes to The Moody Blues and The Beatles. He admits that Styx incorporated elements of progressive rock, but they were also an American rock 'n' roll band. The term 'pomp rock' used by critics in the 1970s didn't sit well with him, as it was a label that didn't fully capture the essence of their music.

The Final Act: 26 East

The release of '26 East, Vol. 1' marks a significant moment in DeYoung's career. At 73, he reflects on the state of rock music, suggesting that it's 'dead' and that the internet has played a role in its demise. Despite this, he was persuaded to make a new record by Jim Peterik, a former member of Survivor. DeYoung's voice, as he notes, remains strong, a testament to his disciplined lifestyle and respect for the finite nature of a singer's vocal abilities.

A Musical Legacy

'26 East' showcases DeYoung's enduring creativity, with 'To The Good Old Days' being a standout duet with Julian Lennon. DeYoung's collaboration with Lennon, a former non-musician, is a heartwarming tale of artistic synergy. The song's lyrics, as DeYoung explains, are a reflection of his past with fans, friends, and family, but he explicitly states that he doesn't need to forgive the current Styx line-up for his replacement.

The Power of Music

DeYoung's perspective on his legacy is refreshing. He emphasizes that his music will live on, and he is content with that fact. The artist's focus on the music itself, rather than personal recognition, is a testament to his humility and the enduring impact of his work. As he prepares for his final tour, DeYoung's story serves as a reminder of the transformative power of music and the complexities of artistic relationships.

Styx Keyboardist Dennis DeYoung: 'I Don't Have to Forgive Them' (2026)
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